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Showing posts with label Shirley Anne Field. Show all posts
Showing posts with label Shirley Anne Field. Show all posts
Saturday, November 12, 2011
Saturday Scream Queen: Shirley Anne Field
Raised in an orphanage after she and her brother were abandoned by their impoverished mother, British actress Shirley Anne Field first entered show-business as a pin-up model in the early 1950s. By the middle of that decade, she'd moved onto movies, first in bit parts where she was cast for her curvacious good looks, but her gifts for acting soon saw her moving up to real roles.
Among her earliest parts with a little meat to them were an appearance in the obscure chiller "Horror of the Black Museum" (1957) and the imfamous proto-slasher flick "Peeping Tom" (1960). In 1963, Field starred in one of Hammer Films' most unusual releases, the sci-fi horror flick "These Are the Damned", and she gave a good accounting of herself. However, she would not appear in another horror film until the very disappointing "House of the Living Dead" ten years later. Field is great--and even sexy and youthful-enough in appearance to be playing a character who is 25 as opposed to her actual age of 35 at the time--but almost everything else in this slow-moving gothic horror story is dull and drab.
"House of the Living Dead" is Field's final horror movie to date, but she has appeared in numerous thrillers, in both supporting and leading roles.
Now 71, Field still possesses good looks and remains a busy working actress. She appeared in three different productions in 2010, and has been reported to have a role in "Tranfer at Aachen", a crime drama that seems to be all over the internet but which likewise does not seem to have received an official release.
Thursday, December 17, 2009
'House of the Living Dead' is soul-crushingly boring
House of the Living Dead (aka "Curse of the Dead" and "Kill, Baby, Kill!")(1973)
Starring: Mark Burns, Shirley Anne Field, David Oxley and Bill Flynn
Director: Ray Austin
Rating: Three of Ten Stars
A South African plantation is haunted by a madman who starts killing animals but soon graduates to the butchering of people. Will the young lady of the house (Field) get to the bottom of the mysteries of this family she's marrying into... before she becomes a victim herself?

"House of the Living Dead" could have been a nice little gothic horror film if only its 85 minutes or so weren't so soul-crushingly dull. This is a film that takes "gradual build-up" to new extremes, but it does so without successfully building the sense of menace necessary. The last half hour, though, is great, spooky, 19th century mad-scientist/occultist fun... but it's not enough to make the misery of the film's early part worth sitting through.
Like so many bad horror films, "House of the Living Dead" has a great idea at its core, but its execution is completely botched. The actors all do a decent job, but the writer and director fail them. The end result is a movie that is best avoided... unless you're the world's greatest devotee of South African cinema.
Starring: Mark Burns, Shirley Anne Field, David Oxley and Bill Flynn
Director: Ray Austin
Rating: Three of Ten Stars
A South African plantation is haunted by a madman who starts killing animals but soon graduates to the butchering of people. Will the young lady of the house (Field) get to the bottom of the mysteries of this family she's marrying into... before she becomes a victim herself?
"House of the Living Dead" could have been a nice little gothic horror film if only its 85 minutes or so weren't so soul-crushingly dull. This is a film that takes "gradual build-up" to new extremes, but it does so without successfully building the sense of menace necessary. The last half hour, though, is great, spooky, 19th century mad-scientist/occultist fun... but it's not enough to make the misery of the film's early part worth sitting through.
Like so many bad horror films, "House of the Living Dead" has a great idea at its core, but its execution is completely botched. The actors all do a decent job, but the writer and director fail them. The end result is a movie that is best avoided... unless you're the world's greatest devotee of South African cinema.
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