Peter Lorre lends a hand in the name of 'Mad Love'

Mad Love (aka "The Hands of Orlac") (1935)
Starring: Frances Drake, Peter Lorre, and Colin Clive
Director: Karl Freund
Rating: Six of Ten Stars

Dr. Gogol (Lorre), a brilliant but mentally unstable surgeon (Lorre) becomes obsessed with the beautiful actress Yvonne Orlac (Drake)--obsessed to the point where he has a wax statue of her installed in his music room. When Yvonne's husband's (Clive) hands are crushed in an accident, Orlac saves them using a revolutionary surgery technique to save them... but then turns to the task of driving Orloc insane, so he can claim Yvonne as his own.


"Mad Love" is a slightly muddled movie with a confused plot (made more-so by the obnoxious comic relief character of an American newspaper reporter (played by Ted Healey). However, the film is well-acted and filmed on impressively lit sets--Gogol's large, empty house/clinic becomes a great metaphor for his his hollow soul, as shadows play throughout it--and its mixture of romance and horror is bound to entertain lovers of early horror movies. The climactic scenes are particularly chilling, as the depths of Gogol's psychopathy becomes crystal clear.

(It may even serve as part of the lineup for a Bad Movie Nite, although it's by no means a bad movie. Some of the more melodramatic elements may tickle the fancy of certain kinds of movie lovers, especially Dr. Gogol's disguise at one point in the film. It's one of those rare cinematic moments that's both scary and hilarious.)

Although not necessarily considered one of the "founding" films of the horror genre, it is certainly the first "transplanted hands take on a life of their own" movies. I can think of at least three others I've seen over the years with very similar plots. (And I think there's a fourth one lurking in my Review Pile.)

Doctor X Double Feature

Doctor X (1932)
Starring: Lionel Atwill, Fay Wray and and Lee Taylor
Director: Michael Courtiz
Rating: Eight of Ten Stars

A killer is stalking Gotham, butchering women--young and old--with a scalpel and surgeon-like precision. When the police turn their investigation toward the medical research institute operated by Dr. Xavier (Atwill), he hopes to prevent the entire institute from being tarred by scandal by conducting a scientific experiment that will identify the killer on his staff. With the moral support of his beautiful daughter (Wray) and a wisecracking crime-beat reporter (Taylor) standing by for the scoop of the decade, Xavier brings his colleagues to his isolated country house... where the murderer soon proves himself quite unwilling to submit to Xavier's experiments, but not so shy about stabbing the house guests.


"Doctor X" is a fun little film that mixes the mystery, comedy, romance, and horror genres into a bubbling cauldron of craziness. From the collection of four surgeons at Xavier's institute, each more suspicious and apparently crazy than the one before; to Xavier's creepy butler; to Xavier himself, the cast of characters here provide a rich pool of suspects. Wray and Taylor offer something attractive to look at amidst the strange collection of doctors and the bizarre, shadow-haunted scenery of the picture, with Wray presenting both radiant beauty and a very charming, very smart character. (In fact, Wray's beauty surrounded by the calculated ugliness of the rest of the film is a contrast that heightens just about every aspect of the film.

Something that will strike viewers coming to this film without foreknowledge--as I did--will be struck by the fact that instead of the expected greys and blacks, the film appears to be in sepia tones... until Wray makes her first appearance on screen, wearing a dress that's a startling, vibrant green in among the shadows and reddish-brown tones of the majority of the scenery. Later, there are other splashes of red and green; "Doctor X" was shot in an early version of Techicolor, and, while I found the reddish and/or greenish tint that was cast over everything generally tiresome, the bright splashes of concentrated color wow'ed me every time they appeared.

As a historical artifact in the development of film techniques, or just as a fun little comedy/thriller that's crammed to the brim with mad scientists, "Doctor X" is a movie that I think any lover of classic films will enjoy immensely.


The Return of Doctor X (1939)
Starring: Wayne Morris, Dennis Morgan, John Litel, and Humphrey Bogart
Director: Vincent Sherman
Rating: Six of Ten Stars

After being fired from his job for making up a false news story about finding a famous actress murdered--who shows up quite alive and intent on suing the paper--journalist Walter Garnett (Morris) turns to a close friend and surgeon (Morgan) in an attempt to figure out how he could have mistaken a live woman for a dead body. The answer he finds is stranger than anything he could imagine, and he soon finds himself up to his neck in creepy MDs, including the strange Dr. Quense (Bogart).


"The Return of Doctor X" has nothing in common with the original "Doctor X" film, except that they were produced by the same company. There is no character or story similarity, despite the presence of murderous medical professionals and a character with the last name of "Xavier", as well as a wise-cracking reporter character. However, where "Doctor X" was a comedy with heavy doses of suspense and a touch of horror, "The Return" is a straight-forward horror movie with a heavy dose of comedy. The first movie was also far more impressive in its camerawork and set design, and this film, while competently filmed, suffers greatly by comparison.

This is a decent enough flick, if completely forgettable. Big-time Humphrey Bogart fans may get a kick out of seeing him in a role quite different from anything else he did during his career, but otherwise, this is the kind of movie to load in a multi-disk DVD player for use as background noise during a Halloween party.

Beware: Politically Incorrect Content!

The Mask of Fu Manchu (1932)
Starring: Boris Karloff, Myrna Loy, Lewis Stone, Charles Starrett, Jean Hersholt, and Karen Morley
Directors: Charles Brabin and Charles Vidor
Rating: Six of Ten Stars

Sir Nayland Smith (Stone) and an international group of archeologists led by Professor Von Berg (Hersholt) sqaure off against evil genius Fu Manchu (Karloff) and his diabolical daughter Fah Lo See (Loy), as both factions race to gain control of the regelia of Genghis Khan as they are the keys to the evil mastermind's latest scheme to conquer the world.



"The Mask of Fu Manchu" is perhaps one of the greatest "yellow peril" films, and it's the best use of the Fu Manchu character I've seen outside of Rohmer's original stories and the Marvel Comics series "Master of Kung Fu".

First off, the film has a great adventure story, with an even mix of weird science, bizarre torture-traps, supernatural hokum, savage natives lusting for a white girl to be sacrificed to dark gods, and, of course, Fu Manchu being thwarted with his own invention on the edge of victory. Secondly, its got a great cast that all give top-notch performances, even if Karloff is hidden beneath some ofthe very worst "China-man" make-up I've ever seen; yeah, the Orient may be alien, but that still doesn't mean Fu Manchu should look like a Martian. Finally, it's got some gorgeous sets that are augmented by some nice lighting work (and an even nicer use of Tesla coils and buzzing electrial devices).

Will some people in this overly sensitive age be offended by the film's racist undertones? Sure. But if they are going to fein outrage, I hope they'll notice that the British characters don't exactly come off as saints, either. Given their behavior, Fu Manchu isn't completely in the wrong.

"The Mask of Fu Manchu" is avaiable in the "Legends of Horror" DVD collection. It's the only one of the five included movies that features Boris Karloff, but the other films are excellent, rarely seen examples of the high quality films being made at the dawn of the horror movie biz.